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GOLDEN Acrylic Flow Release
Acrylic
Flow
Release
is
a
surfactant--a
concentrated
surface-active
liquid
which
reduces
surface
tension,
thus
improving
wetting
and
increasing
the
flow
of
acrylic
waterborne
paints.
Surfactants
are
used
to
"wet
out"
pigments
to
ease
their
introduction
into
an
acrylic
resin,
medium
or
gel.
They
can
also
be
added
to
thinner
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GOLDEN Acrylic Glazing Liquid
Acrylic
glazing
liquid
was
formulated
for
decorative
artists
for
use
in
interior
glazing
techniques
such
as
faux
finishing,
stippling,
sponging
and
murals.
Offers
a
safe
alternative
to
solvent-based
systems.
Useful
in
fine
art
painting
for
creating
glazes,
thinning
heavy-bodied
paints
and
extending
the
working
time
of
acrylics.
Acrylic
Glazing
Liquid
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GOLDEN Acrylic Ground for Pastels
Golden
Acrylic
Ground
for
Pastels
is
a
100%
acrylic
medium
designed
to
prepare
surfaces
for
the
application
of
pastels,
charcoal
and
other
art
media
where
a
coarse
tooth
is
desired.
It
contains
finely
ground
sand
(silica)
in
a
pure
acrylic
emulsion.
Acrylic
Ground
for
Pastels
can
be
applied
to
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GOLDEN Acrylic Heat-Set Fabric Medium
Acrylic polymer for clothing artists which when heat-set properly offers a very soft hand and laundering stability. GAC 900 may be blended with acrylic colors to produce fabric paints that can be airbrushed, hand brushed or screen applied. Ventilation required for heat setting. Not for use by children.

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GOLDEN Clear Tar Gel
Designed
to
yield
a
pully,
tar-like
feel,
but
in
a
100%
polymer
emulsion
colorless
gel.
This
gel
has
an
extremely
resinous
and
stringy
web-like
feel.
Useful
for
generating
fine
detailed
lines
by
"dripping"
it
over
surfaces,
as
it
continuously
flows
from
palette
knives
or
other
tools.
Blends
with
all
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GOLDEN Fluid Matte Medium
A liquid medium useful for extending colors, decreasing gloss and increasing film integrity. Useful for blending with Golden Fluid Acrylics to decrease the gloss, without increasing viscosity.

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GOLDEN GAC 200 Acrylic Medium
A
liquid
acrylic
polymer
emulsion
that
is
the
hardest
and
least
flexible
of
Golden
acrylics.
Useful
for
increasing
film
hardness
and
reducing
tack.
Increases
adhesion
to
non-porous
surfaces,
such
as
glass.
Used
in
its
pure
form,
it
is
limited
to
applications
on
non-flexible
supports.
Generally
recommend
a
maximum
level
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GOLDEN GAC 400 Acrylic Medium
A
liquid
acrylic
polymer
emulsion
which
dries
to
a
hard,
stiff
film.
When
applied
over
a
fabric
support,
such
as
cotton,
linen
or
silk,
the
GAC
400
will
serve
to
dramatically
stiffen
the
support.
This
allows
the
artist
to
transform
a
lightweight
fabric
into
a
free-standing
form
that
will
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GOLDEN GAC 500 Acrylic Medium
A liquid acrylic polymer emulsion with leveling ability, that forms a hard, glossy film. Useful for increasing film hardness and reducing tack, while maintaining flexibility. The hardest polymer that is suitable for flexible supports.

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GOLDEN GAC 700 Acrylic Medium
A liquid acrylic polymer emulsion that offers excellent film clarity and gloss. Excellent for sealing various supports to protect against Support Induced Discoloration. Useful for glaze applications, but care needs to be exercised to avoid foaming. Offers reduced shrinkage.

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GOLDEN GAC 800 Acrylic Medium
A
liquid
acrylic
polymer
emulsion
that
does
not
craze
in
pours/puddles.
That
is
to
say
that
it
dries
with
the
same
uniform
surface
and
dimensional
integrity
as
when
wet
(other
GACs
will
craze,
developing
shrinkage
crevices
running
across
the
surface).
Dries
with
good
gloss
and
flexibility,
but
only
moderate
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GOLDEN Garnet Gels
Garnet
Gels
offer
a
range
of
granular
textures
similar
to
the
Pumice
Gels,
but
with
a
natural
reddish-brown
hue.
Garnet
Gels
dry
to
a
hard,
semi-opaque
flim
with
very
good
flexibility.
They
mix
well
with
Golden
Acrylic
Colors
for
textural
effects
with
color,
or
they
can
be
used
naturally
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GOLDEN Gel Mediums
Golden
acrylic
Gel
Mediums
offer
artists
many
ways
to
build
texture.
Gels
can
be
thought
of
as
colorless
paints,
as
they
are
composed
of
similar
polymers
as
are
the
acrylic
paints.
They
may
be
considered
the
"glue"
or
binder
that
dry
to
form
continuous,
durable
films.
They
are
made
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GOLDEN High Solid Gels
High
Solid
Gels
are
similar
in
body
to
Extra
Heavy
Gels.
They
blend
with
acrylic
colors
to
make
them
feel
more
oil-like.
Because
there
is
less
shrinkage
when
dry,
more
brush
strokes
can
be
retained.
High
Solid
Gloss
offers
higher
gloss
and
less
shrinkage.
High
solid
matte
dries
to
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GOLDEN Matte Medium
A pourable acrylic medium useful for extending colors for economy, increasing translucency and decreasing gloss. It also increases film integrity when excessive pigment/filler solids or water is added. The most translucent of the matte mediums and gels, Golden Matte Medium is also useful as a translucent ground.

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GOLDEN Molding Paste
Molding
Pastes
are
tools
that
can
be
manipulated
by
artists
to
achieve
a
great
variety
of
effects
and
expressions.
Even
though
acrylic
colors
are
offered
in
various
different
consistencies
and
finishes,
the
use
of
gels
and
molding
pastes
in
conjunction
with
such
colors
will
broaden
the
working
properties
and
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GOLDEN MSA (Mineral Spirit Acrylic) Varnish with UVLS
MSA
(Mineral
Spirit
Acrylic)
Varnish
with
UVLS
(UltraViolet
Light
Stabilizers)
is
a
mineral
spirit
acrylic-borne
resin
system.
MSA
Varnish
forms
a
tougher,
less
permeable
film
than
waterborne
acrylic
emulsion
varnishes.
It
reduces
dirt
penetration
and
surface
marring,
offering
an
extremely
level
film
with
less
foam
and
fewer
pinholes.
MSA
Varnish
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GOLDEN Phosphorescent Green Glow in The Dark Paint
Phosphorescent
Green
is
based
on
a
unique
pigment
that
is
characterized
by
its
ability
to
absorb
and
store
natural
and
artificial
light
and
then
emit
it
as
a
visible
light
when
in
the
dark
(glow
in
the
dark).
Phosphorescent
Green
will
exhibit
its
glow
quality
only
after
receiving
direct
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GOLDEN Polymer Medium Gloss
Polymer Medium (Gloss) is a general purpose liquid medium useful for creating glazes, extending colors, enhancing gloss and translucency and increasing film integrity. Has a unique feel that is much more oil-like or resinous in nature and that promotes flow and leveling.

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GOLDEN Pumice Gels
Three
grades
of
gritty
textures,
fine,
coarse
and
extra
coarse.
Fine
pumice
gel
dries
to
a
finely
textured
surface
because
the
particles
are
very
small,
imparting
a
velvety
quality
to
the
paint.
Useful
for
creating
grounds
for
pastels,
oil
pastels
or
paint
sticks.
Coarse
and
extra
coarse
pumice
gel
create
coarse
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GOLDEN Retarder
Retarder is an additive used to increase the open (drying) time of acrylic paints. Useful for "wet in wet" techniques and reducing skinning on the palette.

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GOLDEN Self Leveling Clear Gel
Self Leveling Gel is designed to produce an even film with excellent clarity. This gel has a unique resinous, stringy consistency. it dries to a flexible, high gloss film, which can increase the transparency and sheen of Golden Acrylic Colors.

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GOLDEN Universal Acrylic Polymer Medium
Universal acrylic polymer is used for diluting and extending colors as well as increasing flexibility and film integrity. Wets out solids more readily than other polymers and is useful for artists formulating their own paints. Also ideal as a primer for preventing support induced discoloration.

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